• Record Label: Columbia
  • Release Date: Nov 30, 2018

Universal acclaim - based on 19 Critics

Critic score distribution:
  1. Positive: 18 out of 19
  2. Negative: 0 out of 19
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  1. Dec 7, 2018
    One of the best rap albums of the year, a smoky iceberg of great emotional depth.
  2. Dec 6, 2018
    Well, it can be [dour]. But it’s also ecstatic. Make no mistake: This is an album by one of the best rappers alive, elbowing slant rhymes and assonance into his disses (“Please do abort, I could feel when you’re forcin’ it / Still in a bore riddim”) and exhaling those singularly oblong sentences of his (“Galaxy’s the distance between us by Christmas,” he describes one foundering relationship).
  3. Dec 20, 2018
    For all its signs of progression, the record is never heavy-handed with its ambition. Its unforced attempt at making sense of the fraught present, at finding shelter without resorting to convenient escape, is a rare and, dare I say, sincere feat.
  4. Dec 18, 2018
    Simultaneously sad, strange, and warmly nostalgic, Some Rap Songs is excitingly listenable and emotionally connected despite its abstruse approach. The album's triumphs are in its fearless risk taking and the insight it allows into the journey of Earl Sweatshirt's constant creative regeneration.
  5. Nov 30, 2018
    The project is distinctly rough around the edges, to great effect; there’s the sound of dust popping off vinyl and cassette hiss throughout. ... His uncle and father are gone, but Earl is still here, carrying on their artistic legacy--and, with the help of his collaborators, building his own.
  6. Dec 3, 2018
    Every loop [of "Nowhere2go"] reveals another layer to the undulating beat, but for the first time thus far it's Earl taking the spotlight, rising above the track with a tired yet hopeful rap that's so melodic he's nearly singing. And in case you were worried the boy wouldn't spit, it's followed quickly by "December 24", a song dating back years under the name "Bad Acid" which provides the strongest link to the more aggressive and conventional early 2010s Earl.
  7. Dec 10, 2018
    Some Rap Songs is reminiscent to Earl’s late friend Mac Miller’s final album Swimming. Both bring the listener through the process of overcoming trauma and healing but ultimately, choose to leave the story unfinished.
  8. Mojo
    Jan 23, 2019
    By combining the searing intimacy of a boombox-constructed mixtape with progressive and delirious bars, Earl's third album offers a rare kind of insight, sagacious from a 24-year-old. [Mar 2019, p.80]
  9. Dec 7, 2018
    Some Rap Songs packs a lot in 25 minutes, making for an unsettling listen that is also one of the most personal, gripping rap records of the year.
  10. Dec 5, 2018
    The album reasserts his status as a uniquely fascinating rapper. On Some Rap Songs, he’s making the most adventurous and exciting music of his career so far.
  11. 80
    Musically, Sweatshirt couples the words with rhythmically skewed, sampled loops of vintage soul artists including singer Linda Clifford, funk band the Endeavors and Stax Records group the Soul Children. Unlike the boom-bap producers who did the same in the ’90s, though, Sweatshirt busts the bars into cubist, Earl-descending-a-staircase increments.
  12. Dec 4, 2018
    Some Rap Songs is the rare album by an immensely talented lyricist who deigns not to pull out any fireworks, opting to sink into the cushion’s of a therapist’s couch in the search for an honest work of art. It’s a delicate statement of restraint, and in this case the process shows more of the artist than ever before.
  13. 80
    Some Rap Songs may be a brief exercise, but its ambition and the--largely successful--execution of its ideas demonstrate that the enigmatic Earl is as fascinating as ever.
  14. Dec 6, 2018
    Though Some Rap Songs may come across as a collection of underdeveloped vignettes of previously covered subject matter, further and deeper listening showcases an economical poet at his most striking self.
  15. The Wire
    Jan 25, 2019
    It’s hard to get with the tiresome self-deprecation of that album title, the way he hides his pain behind a smile and hides his smile behind a dope aesthetic on that artfully blurred cover. When Earl does choose to project beyond his navel he has a powerful, booming voice and an ear for novelty. Where his gaze shifts to the outside world he can be inspirational. [Feb 2019, p.56]
  16. Dec 4, 2018
    This is not an album that thumps, drips, bangs, or whips. This is a young man with a lot of heavy thoughts on his mind, and to his good fortune he happens to be able to express them through rap over beats that sustain his flow. It may not be "boom it in your Jeep" music but that doesn't make it bad--just different. Earl Sweatshirt is different, and in a day where all rappers sound like the same AutoTuned singer, we need more different raps to appreciate.
  17. Dec 3, 2018
    Although a very strong record for what it is, Some Rap Songs lacks the emotional power of the two albums that preceded it, particularly Doris, which charted Earl's transition back to civilian life from a Samoan wilderness camp.
  18. 67
    It’s yet another deep, personal, reflective album that’ll impress listeners but, in this instance, leave them only partially satisfied.
  19. Dec 7, 2018
    The problem is that Earl’s stream of consciousness style does not lend itself to easy listening. Off-kilter drum loops and piano chords bury the lyrics on Red Water and Peanut, creating an unfriendly sonic experience reminiscent of listening to a song with cheap earphones in a noisy room. Listeners will only be able to appreciate Earl’s poetry once they devote every ounce of their focus to hearing it.
User Score

Universal acclaim- based on 280 Ratings

User score distribution:
  1. Negative: 31 out of 280
  1. Nov 30, 2018
    Earl Sweatshirt returns after three years to deliver Some Rap Songs, a short, to the point album filled with his incredible lyricism as wellEarl Sweatshirt returns after three years to deliver Some Rap Songs, a short, to the point album filled with his incredible lyricism as well as production. Through 15 tracks over 25 minutes, Earl details his mind state over the past few years, dealing with his depression and loss of his dad and uncle. Heavily influenced by the dusty, looping samples of J.Dilla and Madlib, Earl effortless breezes through each one but gives listeners enough to decipher that rewards multiple listens. His voice sometimes gets lost in these samples, like he is rapping through them instead of on top of them but it creates the distinct atmosphere of Earl simply making some rap songs.

    And amazing ones at that.

    Favorites: December 24, Red Waters, The Mint, Riot!
    Full Review »
  2. Dec 1, 2018
    Took me few listens to really enjoy this album, but if you give it a chance you will probably enjoy it. Earl tried something new with thisTook me few listens to really enjoy this album, but if you give it a chance you will probably enjoy it. Earl tried something new with this album and I think that it's captivating. The beats are the way they are so you focus more on the lyricism over the beats. If you focus on the lyrics you will eventually be all over the album. It's been on repeat since it dropped for me. Full Review »
  3. Nov 30, 2018
    It's 24 minutes, but it is without a doubt Earl Sweatshirt's best album to date. He brings a sound and style to his music that we have notIt's 24 minutes, but it is without a doubt Earl Sweatshirt's best album to date. He brings a sound and style to his music that we have not heard before but still retains the quintessential Earl that we have heard on his other two albums.

    The first listen may be difficult for some, however a second and third listen prove much easier to pay close attention to and hear all of the unique sounds that Earl uses throughout this short journey into jazz and lo-fi territory. Highly recommend. Contender for best hip hop album of the year.
    Full Review »