We Got This Covered's Scores

For 422 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Moonlight
Lowest review score: 20 Life on the Line
Score distribution:
  1. Negative: 28 out of 422
422 movie reviews
  1. The Predator guts and slashes its way to gory sci-fi mediocrity, but is further failed by abysmal pacing that loses characters, subplots and interest along the way.
  2. Anna And The Apocalypse is an enthusiastic coming-of-age musical that cares just as much about bellowed heart and soul as it does keeping horror fans entertained.
  3. Scares are often on the generic side (pitch-black doorway, hand reaches out), and while some wild effects work enjoys the zanier side of Hell’s mouth opening up to spit venom across Earth’s surface, it’s missing the masterfully torturous tone that Wan’s universe otherwise aims for.
  4. Let The Corpses Tan is a stunning display of visual seduction and slaughter-first gunplay, if not somewhat distracted by a skeletal script that’s been stripped of all meatiness.
  5. Clinically rigorous and hugely entertaining, The Man from Mo’Wax is a forthright examination of failure and disappointment. There’s not many music documentaries that can touch it.
  6. There are just enough explosions in Mile 22 to keep you awake throughout the almost unbelievable amount of sludge that buries the rest of the film’s trim runtime.
  7. Frankly, it’s heartbreaking to see the Henson name tossed about a project that’s so heartless and so gruesome that the only thing I imagine sticking from it is Phil’s “Silly String.”
  8. The Meg delivers the Statham-versus-giant-shark battle moviegoers are promised, but does so in a way that still manages to be underwhelming.
  9. Spike Lee offers no solution here – his story’s conclusion, in the long run, hardly ends on a positive note – but rather a very, very loud plea that cannot be ignored.
  10. The fuzzy residents of the 100-Acre Wood cutely convert to the real world in Christopher Robin, a mildly entertaining film that'll remind kids and grown-ups alike of the fun that can be had in doing absolutely nothing important.
  11. This time around, Denzel’s “Equalizer” is less of a Robin Hood-like hero for the helpless, and more of a Travis Bickle-like vigilante, shooting his way through a murder caper that has neither the incentive nor the heart of its already forgettable precursor.
  12. Unfriended: Dark Web takes all the most engaging and horrifying techno-horror qualities from Unfriended and wipes the cache disappointingly clean.
  13. Driven by Stanfield’s performance, an intelligent story, and an even more impressive structure, this film is as funny as it is bizarre, and as bizarre as it is clever. It succeeds enough early on that Riley trusts he’ll hold everyone’s attention as he jumps off the deep end.
  14. Mission: Impossible - Fallout is cocked, locked and ready to blow you away with more than just Henry Cavill's forearms.
  15. The First Purge doubles-down on bloody opposition against true-to-life societal fears, but abandons the subtlety needed to prevent Gerard McMurray’s prequel from becoming anything more than hateful retribution.
  16. Ant-Man And The Wasp is the kind of playtime entertainment suited for Scott Lang's better-when-on-a-team personality, loaded with size-shifty sight gags and lower stakes worth Paul Rudd's ensemble stardom.
  17. This beautiful work pays an immaculate tribute to him, illustrating the legacy of a man whose nature transcended the concepts of knowledge, understanding, age and love. Fifteen years after his death, the heroic and criminally under-appreciated efforts of Fred Rogers are finally being celebrated on the big screen in what may very well be the best documentary of the year.
  18. Jurassic World: Fallen Kingdom is boggled insanity of the highest and most enthralling sci-fi order. As exciting and wondrous a summer blockbuster audiences could ask for. You must suspend reality (EVEN FURTHER) and enter a world where dinosaurs have existed for years in order to attain circumstantial nirvana, but if done correctly, an absolute wealth of ceremonious riches await
  19. The fresh cast seems to have just as much fun as Knoxville and his buddies did making Jackass, but with its half-assed story and unusual presentation of the alluring and advertised stunts, Action Point feels half as genuine.
  20. In terms of performance, Freeman generates about all the emotion this nearly one-man show puts out. At first, Andy’s mission is protection and self-reservation, but Freeman captures the process of shifting priorities marvelously, making Andy’s transition from worried improviser to adapted martyr all the more pleasing to experience.
  21. How does a movie about the galaxy's most dashingly roguish outlaw end up being the safest Star Wars to date?
  22. Deadpool 2 is an overstuffed cinematic burrito of raunchy insults, dismembering violence and a "no f#*ks given" attitude that's ready to burst at any second, but somehow holds together bite after enjoyable bite.
    • 60 Metascore
    • 50 Critic Score
    Get The Gringo is a passable addition to the action genre but it might have been better had the need to keep Gibson’s fan base happy not been so pressing.
  23. Avengers: Infinity War cares a bit too much about being "Part 1" and holding enough development for "Part 2," but MCU fans should see their 10-year buildup expectations met - not exceeded, but met.
  24. Meow, there are laughs to be had here and there throughout Super Troopers 2, but unless you’re really riding the Highway Patrol's wave of manic police work, miss this stale revival and stick to the original.
  25. Truth or Dare lacks the conviction to do anything remotely interesting with its premise, instead falling back on one tired horror cliche after the next.
  26. Rampage is noticeably in trouble once it becomes obvious that the giant virtual gorilla is the most human presence onscreen, and that doesn’t take too long.
    • 46 Metascore
    • 100 Critic Score
    The Broken Tower is a wonderful labour of passion and love for this incredible artist and his broken life and it could not have been a more perfect way to encapsulate the incredibly obscure and fantastic artist that is Hart Crane.
  27. While it doesn't top the eccentricity of Wiseau’s cult favorite, Best F(r)iends is written by a man who understands, probably more than anybody, the appeal behind The Room’s creator, and directed by another man who understands not to mess with that connection and whatever ideas come spewing from it.
  28. Wildling may swerve last-minute into a less dense finale, but Bel Powley's performance is worth this fierce and untamed coming-of-self arc that's so exquisitely female-centered.

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