Merrie Land Image

Generally favorable reviews - based on 15 Critics What's this?

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Generally favorable reviews- based on 25 Ratings

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  • Summary: The second full-length release for the supergroup that includes Damon Albarn, Paul Simonon, Simon Tong and Tony Allen was influenced by the Brexit vote.
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Score distribution:
  1. Positive: 12 out of 15
  2. Negative: 0 out of 15
  1. 83
    It does work as a bulwark against the cherry-picking, playlist-happy listening habits of the modern music fan. It works best as a complete dose of bitter medicine; a groove-happy message of fear, love, and measured hope.
  2. 80
    The ten songs on this thing really are special, and worthy of the epic introduction tacked on to every article about it.
  3. 80
    For all its gloom, Merrie Land is an entertaining and theatrical album, with vocals that capture the social observation of early album Parklife. It’s also an immensely clever feat of word painting, never relying on lyrics alone to reflect the sense of anxiety.
  4. Nov 21, 2018
    Merrie Land feels like the perfect soundtrack for these uncertain, worrying times.
  5. Dec 4, 2018
    He's mined this territory before, notably in Gorillaz's Demon Days, yet the very fact that the Good, The Bad & The Queen function as a band, drawing strength from their own interplay, gives Merrie Land a human resonance that echoes long after the final song ends.
  6. Dec 5, 2018
    While the Good, the Bad & the Queen are skilled at providing a wide breadth of styles here--from the woozy, carnivalesque organ of “The Last Man to Leave” to “The Truce of Twilight”’s militaristic chants--they especially succeed at conveying a crumbling and isolated Britain.
  7. Nov 16, 2018
    The musical mood of much of the album is a dense, unsettled fug: slightly paranoid, rather unfocused.

See all 15 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Nov 18, 2018
    Eleven years or so were worth the wait. It's of course occurring inside of a very different context in relation to their first record, but itEleven years or so were worth the wait. It's of course occurring inside of a very different context in relation to their first record, but it keeps that immersive, eerie, playful and musically diverse atmosphere that makes their work in this format so delightful, so delicious, original. A couple of colors in the palette have changed, I guess this time around it's a bit darker, probably even more introspective than the first one. But, as I suggest, it manages to intrigue our ears on unsuspected levels with each listen. I simply love TGTBATQ, because that's exactly what made that record age so well for me, so time will tell me, eventually, if Merrie Land shall be remembered and appreciated the same way, but even not being a British person myself, I think the record is brilliant and necessary on its insights on the current socio-political landscape there. Cheers to this! Expand