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Irisiri Image

Universal acclaim - based on 7 Critics What's this?

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  • Summary: The third full-length release for the Queens-based experimental artist Alexandra Drewchin features guest appearances by Moor Mother and Odwalla1221.
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Score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7
  1. Jun 13, 2018
    Despite the short duration of the tracks, the dive that Eartheater perform is substantial and covers a lot of ground across various genres. But most importantly, there always appears to be a certain playfulness when it comes to the progression and use of samples. That is not something that suggests this is an easy listening record, but it makes the album more personal and adventurous, and it is its most striking part.
  2. Jul 23, 2018
    Irisiri is an album that explores the concepts of femininity, technology and the how many non-conforming bodies end up falling between the cracks in the seemingly implacable poles of gender, sex and the human, all her songs display seemingly disparate contrasts of surrealist wordplay, with organic, fragile tones and cold, machinist grind, as she pieces and stitches them into idiosyncratic little monsters that at times bewilders, but ultimately beguiles you with their curiosity and playfulness.
  3. Jun 13, 2018
    There is a conceptual weight to IRISIRI that accompanies the expert songcraft and meticulously produced arrangements without ever being burdensome. That the music itself stands on its own is testament to Drewchin's maturity as an artist; the presence of a thematic cohesion demonstrates the seductiveness of her universe.
  4. Jun 20, 2018
    Musically, the album’s apparent incompleteness--the always dissolving lack of coherence, the mosaic of multiple voices, the chance and chaos by which the songs were arranged--abides by the peripheral pull of curiosity. ... Curiosity perforates the veil and returns, yet remains ephemeral.
  5. The Wire
    Jul 13, 2018
    Through poetry, wordplay and a sonic palette that seamlessly bridges the human and the mechanical, IRISIRI positions itself at a nexus of sonic and conceptual ambiguity, weaving openended narratives with a logic that eludes straightforward interpretation and exudes genuine wonder and fascination. [Jul 2018, p.45]
  6. Jun 13, 2018
    The impulse to cast off cultural standards dictating how music should sound dominates IRISIRI, which seems most interested in articulating femininity outside the constraints of patriarchal expectations.
  7. Jun 13, 2018
    Her music can feel frustratingly fragmented one second and suddenly coalesce into something brilliant the next. IRISIRI is baffling and inspired in equal measure.
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  2. Mixed: 0 out of
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