Hundreds of Days Image

Generally favorable reviews - based on 6 Critics What's this?

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  • Summary: The second full-length release for the Los Angeles-based harpist was created in a Northern California barn during a residency at the Headlands Center for the Arts.
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Score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. May 16, 2018
    What makes Hundreds of Days such a engrossing listen lies in the way Mary Lattimore flawlessly combines both mood and mode.
  2. May 16, 2018
    Hundreds of Days finds Lattimore gracefully adapting to her new surroundings, adding new dimensions to her sound but keeping its dreaminess and sentimentality intact.
  3. May 18, 2018
    What makes Hundreds of Days so special, though, is how often it hits ambient music’s sweetest spot--a place where the world slows down and the performer’s free-floating noise makes you appreciate everything around it.
  4. Uncut
    May 16, 2018
    The predominantly instrumental Hundred Of Days is a more expansive affair than 2016's At The Dam. [Jun 2018, p.30]
  5. May 16, 2018
    If there is a critique to be made it is that the bass is sometimes a bit muddy, as the production can contain bass notes that clash with the lower notes of Lattimore’s harp. This is not an overwhelming flaw, however, as the mix is on the whole clear and pristine, and as the final piano and harp notes fade out at the end of On The Day You Saw The Dead Whale the lasting effect is one of calm contentment.
  6. May 18, 2018
    Hundreds of Days is as charming as a novel unravelling a story, but it’s all over in what feels like the blink of an eye.