- Summary: The 36-track compilation of the Los Angeles-based label founded by Flying Lotus features tracks from such artists as Brandon Coleman, Daedelus, Iglooghost, Jeremiah Jae, Lapalux, Martyn, Georgia Anne Muldrow, Ross from Friends, Teebs, and Thundercat.
- Record Label: Brainfeeder
- Genre(s): Pop/Rock
- More Details and Credits »
Positive: 8 out of 8
Mixed: 0 out of 8
Negative: 0 out of 8
Nov 19, 2018This compilation delivers on all fronts, dropping in the melancholic with Tokimonsta and Miguel Baptista Benedict, the glitchy downtempo of Lapalux, the funk infusions of Thundercat and Georgia Anne Muldrow, the experimental house of Mr. Oizo and Ross From Friends, and of course new cuts from Flying Lotus himself.
Nov 16, 2018The previously released portion of the compilation, significantly less than half of its 36 selections, all dates from 2010-2017, an era represented with Teebs and TOKiMONSTA's warped beatmaking, Daedelus' MPB-tinged folk, Martyn's pellet-spraying U.K. garage mutation, and disparate varieties of funk from Mono/Poly and bass god Thundercat. ... Among the other exclusives and glimpses officially issued first through this set are Thundercat's trippy "King of the Hill" (with BadBadNotGood), Miguel Atwood-Ferguson's sublime "Kazaru," and Moiré's Prescription-meets-Dial beauty "Lisbon," progressive slices of soul, jazz, and house.
Nov 16, 2018This retrospective gives the perfect platform for some of Brainfeeder’s forgotten gems to be rediscovered, too. The vivid textures of Teebs, Lapalux’s dystopian soul and Taylor McFerrin’s retro glow are a beautiful reminder of the unsung heroes that have helped keep the label’s sound moving forward. Not ones to dwell on the past, the second half looks to the future, giving fans a brief glimpse of things to come.
Q MagazineNov 20, 2018It's a journey that's wildly eclectic, hard to endure through every tangled turn, but impossible not to love. [Jan 2019, p.117]
The WireJan 25, 2019Though the compilation is vast and the songs hardly bleed into one another--we’re often jumping genres, pivoting off cascading basslines and quickly changing pace without missing beats--there is a level of thematic cohesion here. [Feb 2019, p.66]
UncutNov 16, 2018The set's ordering is exemplary, especially given its size, but diving in at random reaps the richest rewards, throwing up unexpected complements and contrasts. ... It's a trip for devotees and newcomers alike. [Jan 2019, p.41]
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