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Both Directions at Once: The Lost Album Image

Universal acclaim - based on 11 Critics What's this?

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Generally favorable reviews- based on 15 Ratings

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  • Summary: A copy of the legendary jazz saxophonist's March 1963 session with producer Bob Thiele and Coltrane's band: McCoy Tyner, Elvin Jones, and Jimmy Garrison features two never heard before songs. A deluxe edition includes seven alternative takes, including four of "Impressions."
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Score distribution:
  1. Positive: 11 out of 11
  2. Mixed: 0 out of 11
  3. Negative: 0 out of 11
  1. 100
    It’s a most welcome and inevitably stunning missing chapter from one of jazz’s finest quartet.
  2. Jun 29, 2018
    As strong and revealing as the bare-bones collection is, it’s hard to imagine a Coltrane freak who won’t want to plunk for the deluxe version. It affords one of the deepest looks available at the way Trane addressed creative choices in the studio. No less than three more versions of “Impressions” are heard on the second disc, and they are the best advertisement for the two-disc package. ... Is its belated arrival a godsend? Absolutely.
  3. Jun 29, 2018
    For the die-hards, the ones who have charted the Classic Quartet's every move, from the early glories of the Coltrane LP to the fiery outpourings heard on albums like Sun Ship from 1965, it's another small but crucial puzzle piece in the group's still-stunning evolution during its roughly three-year lifespan. For everyone else, it's an unvarnished, day-in-the-life portrait of an icon--and the three musical giants that helped him achieve that status--at work.
  4. Uncut
    Jul 19, 2018
    The best-kept secret in the Coltrane archive seems to leap between every stage of his career, like a greatest-hits sampler being improvised in real time. [Sep 2018, p.45]
  5. Jul 2, 2018
    It can give you new respect for the rigor, compression, and balance of some of his other albums from the period. It is at times, as Coltrane’s son Ravi pointed out, surprisingly like a live session in a studio; parts of the music sound geared toward a captive audience. That may be the best thing about it.
  6. Jun 29, 2018
    Improv conundrums but with an unwavering spiritual intent, these on-the-fly Coltrane experiments were part of a 1960s step-change in the evolution of jazz and much else in contemporary music, still making waves from those long-gone analogue days to the eclectic present.
  7. The Wire
    Jul 26, 2018
    The tunes recorded on 6 March bear no relation to that relaxed and delicate session [with Johnny Hartman]. Instead, they’re much closer to the kind of high-octane material the quartet were pursuing in live performance at the time, albeit with considerably less intensity than could be witnessed on the bandstand. [Aug 2018, p.74]

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