| Warner Bros. | Release Date: June 15, 2018 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
17
Mixed:
12
Negative:
6
|
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Critic Reviews
Los Angeles TimesJun 14, 2018
The GuardianJun 14, 2018
Surprisingly, there’s emotional resonance in this slapstick flick about friends who are terrified to hug. Add that to the solid chemistry between the leads, and Tag is a fine callback to the sprawling ensemble comedies of the 1980s, back when the real-life tag team graduated high school. It’s a solid summer film that will melt away from memory by fall.
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Consequence of SoundJun 14, 2018
Like the real figures at the center, all the schemes and tricks and traps are just the way these men express their sincere affection for one another. That’s sweet enough, but the way their loved ones also get wrapped up in the game as well makes Tag, as corny as it might sound, a testament to the transformative power of play.
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The New York TimesJun 14, 2018
Tag, unlike too many of its recent ilk, at least bothers to be a movie, rather than a television sketch distended to feature length. The performers don’t seem to have been shoved in front of the camera and instructed to be funny. They have to work for their laughs, and to find coherence as an ensemble.
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TheWrapJun 14, 2018
It’s a well-intentioned comedy with funny performances and a handful of great humorous set pieces. If it feels as though it’s three or four different movies fighting each other for dominance, then at least those movies are all, in their own separate ways, relatively entertaining and amusing.
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Rolling StoneJun 14, 2018
As a movie, Tag is all over the place, with gags too hit-and-miss to cohere into anything truly memorable. But the partytime atmosphere – as if "Dodgeball" mated with "Game Night" – might be just what you're looking for on a hot summer night. With these actors, there’s no downside to watching them let it rip.
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Village VoiceJun 14, 2018
New York Magazine (Vulture)Jun 14, 2018
The doubt about what is real and what isn’t has permeated so much of the film that when things take a turn for the serious in the final act, we the audience can’t even quite believe what we’re seeing, until the credits roll and you shrug to yourself, “Huh, I guess it was for real.” That’s a weirdly muted note to end such an otherwise over-the-top — conceptually and physically — comedy.
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Arizona RepublicJun 14, 2018
The biggest problem is the whiplash-inducing tonal shifts. Director Jeff Tomsic, working from a script by Mark Steilen and Rob McKittrick, swings from violent slapstick to tender moments in slapdash fashion. You can’t get a handle on it, though maybe that’s fitting in a movie about trying to keep from being tagged.
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The PlaylistJun 18, 2018
By establishing little stakes and few moments of genuine connection between the main stars, it lacks the warm authenticity and the stranger-than-fiction reality of the real story, which will ultimately be weirder and more enticing than any narrative version of this story could ever be.
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Original-CinJun 14, 2018
The crude if silly humour of the movie’s first 90 minutes is followed by a dollop of sentiment at the film’s end, resulting in a case of tonal whiplash... like a slap with a wet fish followed by a forced bear hug. No doubt Tag means to be a rude but heart-warming trifle, but it just isn’t funny enough to get past its awful taste.
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San Francisco ChronicleJun 14, 2018
Tag isn’t interesting at all, but its failure is. It’s the kind of movie that makes the viewer ask questions, such as, why isn’t this working? Why is this bombing? Why is this dying the death? Why am I shifting in my seat just to stay conscious? The movie seems like it should be funny, but it’s not, so why?
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