| GathrFilms | Release Date: September 21, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
34
Mixed:
9
Negative:
3
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Critic Reviews
Rolling StoneSep 19, 2018
Consequence of SoundSep 8, 2018
In a climate where far too much entertainment passes itself off as “resistance” for making empty gestures and landing easy punchlines, this is at least a step toward a more honest and open look at what America has always been, what it really is now, and what it’s going to take to make it live up to even a fraction of its dream.
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The New York TimesSep 20, 2018
ObserverSep 21, 2018
In most of his broadsides, the director is right. But like most of his incendiary docs, he fails to fully investigate both sides of the issues, overlooking or fudging the facts to cry “Hypocrisy!” whenever it suits him. That being said, I still applaud his courage and wit while he does it.
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Los Angeles TimesSep 20, 2018
VoxSep 8, 2018
Moore still suffers from bouts of self-aggrandizement and snide generalization. But they feel jarringly out of place, and in a good way. That’s because, for a great deal of the film, Moore cedes the floor to people whose voices are not as easily heard, or who have had to fight to have a voice at all.
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The Hollywood ReporterSep 8, 2018
The multiple targets and multiple threads which weave in and out of Fahrenheit 11/9 make it feel jumpy at times.... Nonetheless, there is much food for thought in the film, shot with the director’s characteristic passion, flair, wicked sense of humor and willingness to push the envelope.
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Vanity FairSep 22, 2018
Fahrenheit 11/9 does what Moore has done best, or at least most, throughout his career. It’s a sprawling, big-mouthed, big-hearted mess of a polemic, equal parts righteously impassioned and unforgivably dubious. It’s a rip-roaring airing of grievances from a man who has only ever used his substantial platform to get shit off of his chest.
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The Associated PressSep 26, 2018
Chicago TribuneSep 20, 2018
An emotional and intellectual roller coaster. Moore swings for the fences, as he usually does. But the film, done in Moore's traditionalist maximalist style, is overblown and overstuffed with editorial indulgences. It's clear that stylistically and structurally, less should be more for Moore.
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The GuardianOct 18, 2018
Moore never quite settles on a single, compelling riposte to Trump, never really hones his arguments to a piercing arrowhead of counterattack. Instead, he rambles over almost everything … entertainingly, but confusingly, ending on an image of Parkland School shooting survivor Emma González.
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Screen InternationalSep 8, 2018
As is often the case with Moore’s impassioned documentaries, 11/9 frustrates as much as it rouses, bouncing from topic to topic without fully digging into any of them. As such, it’s a highlight reel of grievances against government, corporations and the status quo that preaches to the choir.
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Boston GlobeSep 19, 2018
Moore shows newsreel footage of Hitler delivering a speech. Only it’s not Hitler’s voice we hear. It’s Trump’s. Get it? Sure you do, and as you do the documentary slips the surly bonds of sanity — even of agitprop — to enter a realm of its own polemical making. Words cannot do justice to such an editorial decision. Well, maybe five can: intellectually null and morally contemptible.
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