William Bibbiani

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For 145 reviews, this critic has graded:
  • 70% higher than the average critic
  • 2% same as the average critic
  • 28% lower than the average critic
On average, this critic grades 2.4 points higher than other critics. (0-100 point scale)

William Bibbiani's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 95 Isle of Dogs
Lowest review score: 12 The Haunting of Sharon Tate
Score distribution:
  1. Positive: 90 out of 145
  2. Negative: 16 out of 145
145 movie reviews
    • 73 Metascore
    • 71 William Bibbiani
    Frankly, big chunks of Master Z: The Legacy of Ip Man are so broad they’re almost goofy. The fights make up for it, and the great ensemble makes this broad world semi-believable. It’s a step down for the “Ip Man” series, but it’s still within punching distance, so don’t take your eyes off it. It’ll get you.
    • 8 Metascore
    • 12 William Bibbiani
    The Haunting of Sharon Tate is an astoundingly tasteless motion picture, perfunctorily produced and insensitively conceived...It’s far too early to call “Haunting” the worst movie of the year. But if it’s not, it’s going to be a rough 2019.
    • 48 Metascore
    • 55 William Bibbiani
    While there are some creepy ideas in this surprise Netflix-Blumhouse offering, the quality of Mercy Black is strained.
    • 49 Metascore
    • 49 William Bibbiani
    At its best, Out of Blue captures a slightly intoxicated “eureka” sensation, as the whole detective genre transforms elegantly into a philosophical awakening, and as the greatest threat comes not from a murderer but from our protagonist’s sense of self (or lack thereof). At its worst, which is most of the time, it’s a conventional detective story that resorts to lengthy scientific-namedropping when it probably should be getting on with it instead.
    • 68 Metascore
    • 77 William Bibbiani
    A film like this is always a major accomplishment, so it feels like a cognitive disconnect when the actual story it tells seems so light and benign.
    • 58 Metascore
    • 70 William Bibbiani
    The Hummingbird Project is most of a great movie. Amiable performances and a deft pace combine with high-contrast storytelling, and the results are generally engaging. Sometimes funny, sometimes smart, always watchable. But perhaps the film’s dedication to turning a clever tale into something profound was a miscalculation. Perhaps there were simply better ways to spend the time.
    • 52 Metascore
    • 76 William Bibbiani
    Idris Elba’s directorial debut is an atmospheric and catchy DJ Noir about criminals who’d rather spin vinyl than sell cocaine, and it’s an impressive first film, only held back by the conventions in the plot. But it’s the details of Yardie’s world that make it worth visiting.
    • 45 Metascore
    • 71 William Bibbiani
    Instead of an instant classic, we get a noble effort. We need more of those. This is a bright and earnest attempt to craft an on-screen fantasy for modern kids, with a practical moral that anyone could appreciate.
    • 61 Metascore
    • 73 William Bibbiani
    Chandor’s film isn’t malleable enough to fit into the moral grey zones into which it ventures; it’s too battle-hardened for that. But it’s an ambitious and absorbing above-average thriller with something deeper on its mind, making this sometimes somber journey worthwhile.
    • 84 Metascore
    • 88 William Bibbiani
    The film’s empathy for the unwanted, its frustration at the system, and its uncompromising depiction of people trying to do the right thing when fate clearly has other plans, registers with real power.
    • 73 Metascore
    • 85 William Bibbiani
    What a delightful discovery this movie is, and what an incredible collection of impeccable performances. Ahn’s film finds the drama in the intentionally quiet life of introverts and lulls his audience into peaceful, wise, contented security.
    • 75 Metascore
    • 76 William Bibbiani
    Ruben Brandt, Collector is a wonderful heist film, a thrilling action-adventure, a gorgeous visual feast, and an intriguing look at an artist whose greatest talent is recognizing the value of the art inside others.
    • 53 Metascore
    • 48 William Bibbiani
    The cynicism of Donnybrook is overpowering, but unfocused. It’s easy to see why some people would react strongly to its ugly tale of misery and violence, and yet without context and contrast, without making statements beyond “the world sure does suck,” Sutton’s film feels frustratingly hollow. It makes an impact but leaves no impression.
    • 57 Metascore
    • 86 William Bibbiani
    Although it’s almost too much story, too much humor, and too many ideas for one movie to contain, the breathlessness of Happy Death Day 2U is irresistible. This is one frightfully clever sequel that audiences will want to revisit again… and again… and again… and again… and again…
    • 45 Metascore
    • 49 William Bibbiani
    The Prodigy may offer some shocks to those susceptible to this genre, or who have never seen it before, but to horror fans it will probably seem unremarkable and even bland.
    • 54 Metascore
    • 80 William Bibbiani
    Alita: Battle Angel is Robert Rodriguez’s best film in many years. It’s an ambitious, impressive, visually spectacular production with great performances that make its strange world seem real.
    • 65 Metascore
    • 75 William Bibbiani
    The LEGO Movie 2 isn’t quite as funny or as brilliantly executed as the original, but it’s an ambitious, likable sequel. Kids will enjoy it and adults will appreciate that the filmmakers took it seriously, and tried to say something meaningful. Just don’t think about it too much, because the LEGO universe is often weird and confusing.
    • 37 Metascore
    • 36 William Bibbiani
    Serenity is a twist in search of a movie, a film noir in search of a purpose, and a great cast in search of better material.
    • 63 Metascore
    • 81 William Bibbiani
    Anna and the Apocalypse is a delightful Christmas/horror/comedy/musical hybrid, with a great cast, entertaining gore and a storyline that’s easy to take seriously… even though it’s fundamentally absurd.
    • 48 Metascore
    • 72 William Bibbiani
    It’s a movie about escape rooms that literally kill you, and if you’re willing to buy into that premise, it’s about as good as a movie with that premise could probably be. So, hey, 2019 is looking up.
    • 24 Metascore
    • 41 William Bibbiani
    The lazy gags, wasted supporting cast and unfocused writing make the film an unfunny chore, which evokes but doesn't come close to their earlier comedic outings.
    • 61 Metascore
    • 79 William Bibbiani
    Vice is a funny and vicious political commentary, revealing in clear, thrilling detail a man whom filmmaker Adam McKay considers one of the most insidious and dangerous political figures of the last fifty years. But that viciousness also makes Vice one-sided, even reductive.
    • 55 Metascore
    • 85 William Bibbiani
    It’s a weird and wonderful superhero adventure that strives — and almost succeeds — to be the most epic superhero movie ever made.
    • 66 Metascore
    • 81 William Bibbiani
    Bumblebee is, again and easily, the best “Transformers” movie. Heck, it’s probably the only genuinely good “Transformers” movie, with nary a caveat to be found. But it’s also a lively and earnest 1980s nostalgia trip, made with affection for the era and its characters and its soundtracks and its storytelling styles and, yes, even its toys.
    • 44 Metascore
    • 86 William Bibbiani
    It’s an overpowering world of steampunk delights, almost Miyazakian in its presentation. It’s hard to complain about a path being well-worn when all the sights will make your eyes pop.
    • 37 Metascore
    • 33 William Bibbiani
    It lacks character, it lacks morbidity, it lacks subtext, it lacks suspense. It just kinda lays there like Hannah, but without any of her sinister magic.
    • 38 Metascore
    • 55 William Bibbiani
    If Jennifer Westcott’s animated kids’ movie Elliot the Littlest Reindeer was a Christmas gift, it’d be the toothbrush at the bottom of your stocking. It’s well-intentioned, and you might get some use out of it, but let’s just pray it’s not the highlight of your holiday season.
    • 87 Metascore
    • 92 William Bibbiani
    It’s incredibly thrilling to watch, impressively emotional throughout, and easily the best Spider-Man movie since “Spider-Man 2.”
    • 32 Metascore
    • 45 William Bibbiani
    It’s a straightforward retelling with a confusing design philosophy, disappointing action sequences, weak storytelling and a cast which clearly deserved better material.
    • 69 Metascore
    • 59 William Bibbiani
    Green Book lacks the depth it aspires to, and only works on a very superficial level. Viggo Mortensen and Mahershala Ali give exceptional performances but this message movie fumbles its message.

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