For 25 reviews, this critic has graded:
  • 64% higher than the average critic
  • 4% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 3.6 points higher than other critics. (0-100 point scale)

Steve Greene's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 91 Nossa Chape
Lowest review score: 33 Undrafted
Score distribution:
  1. Positive: 16 out of 25
  2. Negative: 1 out of 25
25 movie reviews
    • 80 Metascore
    • 91 Steve Greene
    By focusing on what binds those on the pitch and those in the bleachers, Nossa Chape doesn’t just wonder if some things are “bigger than the game” — it proves it.
    • 56 Metascore
    • 58 Steve Greene
    Stuck between a hangout movie and an out-and-out caper romp, Tag settles for something in the middle — there are worse ways to spend your time, but the result is taking an outrageous premise and making it seem ordinary.
    • 70 Metascore
    • 83 Steve Greene
    This film manages to celebrate the spirit that stood in opposition to limit her to what she looked like on a poster. It’s a reminder that, even for world-famous icons, it’s pointless to reduce people to a single piece of notoriety.
    • 66 Metascore
    • 75 Steve Greene
    At first, you may be inclined to reject it outright, but Game Night works so hard to win viewers over that it eventually finds its way to a winning formula.
    • 68 Metascore
    • 83 Steve Greene
    For an artist whose work in a proud and robust tradition carried a recognizable grace, Song of Granite is a stirring, solemn tribute.
    • 81 Metascore
    • 67 Steve Greene
    While Amanda Lipitz’s film doesn’t quite reinvent the narrative, Step tells a story that highlights the intertwining values of hope and education, and never loses sight of the idea that much more lies ahead.
    • 73 Metascore
    • 75 Steve Greene
    While Bill Nye: Science Guy may not spend all its time on the man himself, it proves that the guy behind “Science rules!” hasn’t gone anywhere.
    • 45 Metascore
    • 50 Steve Greene
    Unforgettable treats this central struggle over the heart of a family in the same way that a recent Ken Watanabe character does, by surveying the battlefield and coming to a simple, definitive conclusion: “Let them fight.”
    • 61 Metascore
    • 75 Steve Greene
    Modest in its ambition but profound in its specificity, Batra gets to the core of the slipperiness of memory and the allure of the past. It’s not through grand pronouncements and cosmic love stories; instead, a handful of unshakable moments do the trick.
    • 72 Metascore
    • 67 Steve Greene
    It may not be entirely inspiring, but Betting on Zero captures the everyone-for-themselves desperation that would make any wronged individual furious, be they jilted employee or frustrated stockholder.
    • 60 Metascore
    • 67 Steve Greene
    When it keeps its aims small and its attention narrow, The Other Half lands on a simple love story that speaks outside its familiar boundaries.
    • 86 Metascore
    • 83 Steve Greene
    Amidst the appreciation for the natural world and the tiny battles for public attention, the process of developing a camera that can capture and transmit these time-lapse images gives Chasing Coral the added layer of a time-crunch caper.
    • 58 Metascore
    • 58 Steve Greene
    This whirling vortex of dysfunctional friends and acquaintances feel like an unfocused and self-absorbed melange of frustration. It’s a parade of broken people, connected only by their fruitless pursuits of happiness.
    • 69 Metascore
    • 75 Steve Greene
    Historians, media scholars and even Boston citizens may debate whether this is the most worthy way to honor those fallen in the attacks. But Berg mounts a heartfelt, harrowing tribute to the film’s real-life heroes.
    • 46 Metascore
    • 58 Steve Greene
    A film that often avoids any middle ground, making for a cut-and-dried courtroom tale that desperately wants to be anything but.
    • 69 Metascore
    • 83 Steve Greene
    Blue Jay doesn’t lean on destiny or succumb to the easy refrain that time is a great equalizer. There’s genuine happiness here, but heartbreak is always right behind it.
    • 54 Metascore
    • 50 Steve Greene
    In trying to squeeze a half-dozen life stories into its running time, Hands of Stone, the new film about legendary Panamanian boxer Roberto Durán, magnifies that disappointing mistake.
    • 52 Metascore
    • 75 Steve Greene
    Regardless of who it sets its sights on, How He Fell in Love tells a complete tale without being tidy, fitting for a tale representative of love’s fickleness.
    • 57 Metascore
    • 58 Steve Greene
    It’s a story that has its share of unnerving sequences, but like its pivotal character, it feels stuck between two worlds.
    • 40 Metascore
    • 42 Steve Greene
    Between the setting, the production design and a majority of the cast, Outlaws and Angels has the individual pieces to be something of merit. This particular revenge tale isn’t an example of incompetent filmmaking, just sadly misfocused storytelling.
    • tbd Metascore
    • 33 Steve Greene
    Undrafted is a baseball movie that never wants you to forget that it’s about baseball, even if that reminder comes with lengthy dugout anecdotes delivered to teammates who are surprisingly indifferent to the outcome of a game that’s supposed to mean so much.
    • 38 Metascore
    • 42 Steve Greene
    This is the undead equivalent of fast food. Some might find comfort in all these known quantities. Those looking for anything of substance would do better to wait for an upgrade.
    • 66 Metascore
    • 67 Steve Greene
    The Phenom wanders through a series of half-formed ideas. When Buschel narrows his focus and has a handle on these characters’ essences, there are flashes of greatness. All he needs is a tighter grip.
    • 71 Metascore
    • 75 Steve Greene
    The most impressive element of Paint it Black is the respect it shows for both women’s grief, even while condemning certain ways that they choose to compartmentalize.
    • 67 Metascore
    • 83 Steve Greene
    Even though The President lacks some of the subtlety that made Makhmalbaf’s previous work transcendent, this film is still a worthy testament to a fiery storyteller determined to use the medium as a necessary means of subversion.

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