For 2,398 reviews, this critic has graded:
  • 48% higher than the average critic
  • 4% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 5.3 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Black Swan
Lowest review score: 0 Mike Boy
Score distribution:
2398 movie reviews
    • tbd Metascore
    • 63 Roger Moore
    Alpha has to stand as one of the pleasant surprises of the cinematic summer, a gritty yet sentimental fantasy about that first Ice Age boy to fall for a dog.
    • 62 Metascore
    • 63 Roger Moore
    A jarring, jolting entry in the “Hand that Rocks the Cradle” genre, a too-obvious thriller that still lands a sucker punch or three.
    • 56 Metascore
    • 50 Roger Moore
    Bad Match is too short and formulaic to give us anything to really chew on.
    • 86 Metascore
    • 63 Roger Moore
    The movie feels lived in, greasy and real. [Bujalski] just needed more funny lines and help figuring out the most promising thread among the many he introduces to pursue.
    • tbd Metascore
    • 25 Roger Moore
    A gloomy but dull vampire tale set against the backdrop of 12 step programs.
    • 74 Metascore
    • 88 Roger Moore
    Moselle’s second film to focus on a fringe-dwelling “pack” but first to be a narrative, fictional feature, has an intimacy that the novelty of a free-range family of raised-by-themselves boys did not.
    • 83 Metascore
    • 100 Roger Moore
    John McEnroe: In the Realm of Perfection is quite simply the greatest tennis film ever made and one of the finest documentaries to honor any sport.
    • tbd Metascore
    • 63 Roger Moore
    The Package is funnier than any one joke/”dick” joke comedy has any right to be.
    • 65 Metascore
    • 50 Roger Moore
    James is a winsome presence, with able support from Huisman, Powell, Goode, Courtenay, Parkinson and Wilton. But the story veers into pure melodrama.
    • 76 Metascore
    • 63 Roger Moore
    Crazy Rich Asians puts its emphasis on “Crazy Rich,” and “Asians,” when a little more “Crazy” would get us through its glitzy two hours with less tedium and more style.
    • 29 Metascore
    • 38 Roger Moore
    Give White credit for the picture’s fairly eerie tone and look — darkened streets, foggy forests of spindly pines, shadows and more shadows. It’s just not worth more than the occasional hair-raising instant.
    • 46 Metascore
    • 50 Roger Moore
    The movie dawdles along, boring us as it does, in between action sequences. There’s a good chase or two, a generic escape here and there, but almost no cool lines and no catch-phrases.
    • 73 Metascore
    • 63 Roger Moore
    Where the film is fascinating is the ways it examines the wandering lives of working musicians who stay in touch with the tunes even as life goes on.
    • 47 Metascore
    • 50 Roger Moore
    It’s sentimental, ridiculously long and only occasionally funny. But an engaging cast — human and canine — give it, and us, almost enough warm-and-fuzzies to get by.
    • tbd Metascore
    • 63 Roger Moore
    Thurman, oily accent dripping with menace, is no Disney villain here. She’s real world dangerous, vulpine, callous, keeping supernatural secret threats from her pupils.
    • 1 Metascore
    • 25 Roger Moore
    Throughout Death of a Nation, which has the usual attacks on Clintons and George Soros and the third act “patriotic performances by D’Souza approved singers, even an African American choir, the man finds himself coddling Nazis.
    • tbd Metascore
    • 63 Roger Moore
    I can’t say this is one of the best, too grim and gory. But it does get a down and dirty job done.
    • tbd Metascore
    • 63 Roger Moore
    We know where it’s going before it gets there, but a game cast act as if they don’t. But they know there’s no heavy lifting here, and they make something that should be easy feel and especially sound easy. Amazing how few rom-coms manage even that.
    • 58 Metascore
    • 63 Roger Moore
    Icelandic filmmaker Ása Helga Hjörleifsdóttir uses images, melancholy reveries and the voice-over narration of her nine year old protagonist to turn Guðbergur Bergsson’s novel into an austere, chilly and cryptic film.
    • 79 Metascore
    • 75 Roger Moore
    Spiro has still gotten a striking, gritty and touching debut feature out of this cast, a movie that may lack much in the way of surprises but makes up for it with toughness, empathy and realism.
    • 87 Metascore
    • 88 Roger Moore
    This is “The Florida Project” set in Pennsylvania, a memoir both brilliantly specific and depressingly universal.
    • 52 Metascore
    • 38 Roger Moore
    Basically a Royal Caribbean ad masquerading as a romantic comedy.
    • 66 Metascore
    • 75 Roger Moore
    Van Sant, a legendarily sensitive filmmaker, never fails to see the difficulties in Callahan’s journey, the spirit it takes to overcome them or the fact that they were all difficulties of the man’s own creation. That lifts this “uplifting” story above the twelve steps that are its natural starting point and into the realm of something more challenging than the genre conventions it otherwise adheres to.
    • 51 Metascore
    • 38 Roger Moore
    A leaden, violent and tone-deaf script and two surprisingly unfunny stars — one trying WAY too hard and the other not trying at all — bury The Spy Who Dumped Me.
    • 60 Metascore
    • 50 Roger Moore
    The whole affair feels like a desperate, big-budget response to last year’s far superior and non-Disney “Goodbye, Christopher Robin.”
    • 28 Metascore
    • 25 Roger Moore
    Stay through the charming closing credits — the only place “charm” figures into this — to see who Hayes is.
    • 39 Metascore
    • 25 Roger Moore
    It’s a tediously derivative tale.
    • 69 Metascore
    • 75 Roger Moore
    The triumph of “Miseducation” is how lightly it treads down a well-worn path, how quaint and out of date it makes the attitudes of early ’90s authority seem to modern eyes.
    • 76 Metascore
    • 75 Roger Moore
    By equal turns hilarious and right on the edge of horrific.
    • 68 Metascore
    • 63 Roger Moore
    BuyBust is brimming with life, furiously protected and furiously taken, a bracing introduction of Matti and Filipino cinema to the world.

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