For 2,628 reviews, this critic has graded:
  • 47% higher than the average critic
  • 4% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 5.7 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Get Low
Lowest review score: 0 The Room
Score distribution:
2628 movie reviews
    • 52 Metascore
    • 50 Roger Moore
    The inserts are almost all funny, but they stop the picture dead in its tracks. Repeatedly.
    • 70 Metascore
    • 75 Roger Moore
    Whatever it took to make this “Mary Poppins” light on its feet, it’s rare that the tone turns sunny. The gloomy start (I’d have cut that opening number) and pervasive fog and heavy subject matter — death, lost childhood innocence, impending poverty, etc. — never let it soar.
    • 48 Metascore
    • 50 Roger Moore
    The surprising thing about the film of Phillip Reeve’s Mortal Engines, essentially a movie about roving, bulldozing cities that devour small towns, is how long this eye candy holds your interest.
    • 57 Metascore
    • 50 Roger Moore
    The actors are game, the action beats are handled with skill. But the story lacked shape.
    • 78 Metascore
    • 88 Roger Moore
    It is Dafoe’s compact, internalized turn as the artist, letting us feel his pain rather than bellowing about it (see “Lust for Life” for that) that pulls us in and gets us as close to the artist as any film ever has. It’s glorious work, and a grand capstone to a fabulous career, with or without Oscar recognition.
    • 86 Metascore
    • 50 Roger Moore
    No, Sony Animation should not have let Spider-Man: Into the Spiderverse out its doors and onto big screens in this blurred, jerky, pixelated condition.
    • tbd Metascore
    • 25 Roger Moore
    There are laughs aplenty in the dialogue, which has several characters spout nonsensical lines — “You told me the title was clear.”
    • 91 Metascore
    • 75 Roger Moore
    It’s not history, stunning palace locations and lush costumes aside. The Favourite is just fun, “something completely different,” though it does tend to drag as it takes us where we are sure it must go.
    • 37 Metascore
    • 38 Roger Moore
    The production design is top drawer. It’s just that if I’m mentioning that, there’s little else in the movie to recommend it.
    • tbd Metascore
    • 50 Roger Moore
    Nona never has much in the line of suspense, but that long tease of an opening act robs the film of the grim and gritty drama Polish skims over in the brothel passages. It doesn’t strip the story of its pathos. But the imbalance here is patience-testing and maddening.
    • tbd Metascore
    • 75 Roger Moore
    The American Meme traces this democratized/Americanized form of “celebrity” back to its origins and profiles some of the web’s more notorious creations in a generally entertaining and somewhat illuminating account of recent history.
    • tbd Metascore
    • 63 Roger Moore
    The sex scenes have a strained sense of fun about them, one partner trying too hard, the other bowled over. The pain, when it comes, feels real, unforced and complicated partly because Tom does seem like a guy with a limited ceiling in pretty much every regard.
    • 71 Metascore
    • 63 Roger Moore
    Vox Lux is “A Star is Born” for the bubblegum babies of pop.
    • 27 Metascore
    • 25 Roger Moore
    All the Devil’s Men kills off its most interesting character too soon and traipses past story beats so familiar that taking notes on the film (as I always do) seems superfluous. It’s not a good B-actioner. It’s routine in the extreme.
    • tbd Metascore
    • 75 Roger Moore
    That The Quake can still grab, alarm and thrill is a testament to skilled storytelling, empathetic performances and effects that rewrite the book on how disasters play out on the big screen.
    • 73 Metascore
    • 63 Roger Moore
    Chilean-born writer-director Sebastián Silva (“Nasty Baby”) gives us an intimate mumblecore (lots and lots of talking) allegory about the struggle to maintain your identity when everything around you seems to subsume it.
    • 71 Metascore
    • 75 Roger Moore
    “Divide” is a damning film, with just enough new material to entice the curious.
    • 70 Metascore
    • 88 Roger Moore
    A scenic, poetic, striking and moving thriller about Sicily’s “problem” viewed through the lens of youth and young love. The spooky overtones make its title an honest one, even if the frights are few. This is a “Ghost Story” well worth telling, and seeing.
    • 58 Metascore
    • 88 Roger Moore
    But Jones, luminous in support in such dramas as “The Theory of Everything,” carries this picture, delivers thrilling arguments thrillingly and puts a warm, human face on a legal figure who has become liberalism’s Obi Wan Kenobi, “our only hope.”
    • 70 Metascore
    • 50 Roger Moore
    I was fascinated, but I can’t say I liked Ghostbox Cowboy as much as I enjoyed the films it seems inspired by.
    • 62 Metascore
    • 75 Roger Moore
    An engrossing, marvelously-acted account of the monarchical cousins that suggests their real enemy wasn’t each other — it was the grasping, pushy and ambitious men who surrounded each in her own court.
    • tbd Metascore
    • 63 Roger Moore
    All the performances are lifted by screenwriter Tony Binns (“Truckstop Bloodsuckers”) clever dialogue, and Mackie and Jake Smith have cute chemistry largely due to his writing as well.
    • 71 Metascore
    • 75 Roger Moore
    Once she gets out of her own way, von Trotta provides a generally breezy overview, appreciation and dissection of one of the greatest filmmakers who ever lived.
    • 81 Metascore
    • 75 Roger Moore
    With Invisible Hands, filmmaker Shraysi Tandon has made a damning expose, and a documentary piece of advocacy journalism.
    • tbd Metascore
    • 75 Roger Moore
    American Street Kid is a bracing, revealing and almost co-dependent film about homeless teens living on the streets in what has to be the Homeless Teen Capital of North America — Los Angeles.
    • 78 Metascore
    • 75 Roger Moore
    It’s wacky. You scratch your head at the training ground, a veritable digital brothel (quite chaste) where aspiring hostesses learn the art. You wonder who on Earth would spend money for “gifts” that impress these young women (and young men), and are also meant to impress their fellow “fans” with how “rich” you are.
    • 18 Metascore
    • 25 Roger Moore
    Kesy is scary and a bit crazy-eyed, wearing his tats and a grill and carrying himself like a rough customer fresh out of stir. It’s a pity he has to talk so much.
    • 38 Metascore
    • 38 Roger Moore
    Lump “Littlest Reindeer” in with “The Star” and every other released and forgotten animated half-hearted holiday hit that never was.
    • 42 Metascore
    • 38 Roger Moore
    Whatever it wants to say about abuse, its mental, social and sexual impact on its victims, however “daring” it aims to be, Back Roads loses in its pursuit of the sordid.
    • 62 Metascore
    • 75 Roger Moore
    The best 85 minute primer you will ever get on Bitcoin, its many imitators and the potentially world-changing technology that makes cryptocurrencies possible.

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