Oktay Ege Kozak

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For 79 reviews, this critic has graded:
  • 62% higher than the average critic
  • 1% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Oktay Ege Kozak 's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Glassland
Lowest review score: 16 The Model
Score distribution:
  1. Positive: 49 out of 79
  2. Negative: 10 out of 79
79 movie reviews
    • 57 Metascore
    • 40 Oktay Ege Kozak
    There was no good reason to resurrect this property. To quote Jud, “Sometimes, dead is better.”
    • 64 Metascore
    • 72 Oktay Ege Kozak
    Hotel Mumbai may not be a perfect example of its genre, but its restraint from ideological grandstanding and a top-notch technical control of tone make it worthy of a watch.
    • 51 Metascore
    • 40 Oktay Ege Kozak
    The premise of a bunch of 1919 circus freaks whimsically conspiring to save an elephant from captivity should be an easy layup for Burton, but he just goes through the motions here with a paint-by-numbers Disney climax.
    • 80 Metascore
    • 77 Oktay Ege Kozak
    Refreshingly devoid of a traditional plot and any forced conflict, Gloria instead studies how such a character can enjoy the ups and downs of life even after her family has left her behind.
    • 54 Metascore
    • 84 Oktay Ege Kozak
    It’s a shame that its studio didn’t more heavily market Captive State. Smart, layered, tense, well-executed sci-fi like this should be nurtured in movie theaters.
    • 45 Metascore
    • 62 Oktay Ege Kozak
    As far as Wonder Park goes, it’s basic, but not condescending. I especially appreciated an important addition to the finale that deals with how children should handle their feelings with balance and moderation.
    • 71 Metascore
    • 78 Oktay Ege Kozak
    As a closing chapter in the tale of Hiccup and Toothless, The Hidden World ends this portion of the tale on a satisfying note.
    • 68 Metascore
    • 77 Oktay Ege Kozak
    With a narrative that adheres to such universal themes, Merchant reaches beyond the film’s wrestling fan core audience and constructs an inspiring story everyone can enjoy.
    • 53 Metascore
    • 58 Oktay Ege Kozak
    For fans of futuristic sci-fi/action, it should provide an initially engaging but ultimately forgettable experience. Still, coming from Cameron and Rodriguez, even “forgettable” deserves a look.
    • 69 Metascore
    • 16 Oktay Ege Kozak
    Unfocused and unpolished, “Le Concours” might’ve been fared better if one of the prospective students picked up the camera instead.
    • 37 Metascore
    • 53 Oktay Ege Kozak
    I can imagine and understand it receiving all kinds of passionate feedback, from intensely negative to downright infuriated, but I doubt anyone will claim it is boring.
    • 76 Metascore
    • 92 Oktay Ege Kozak
    With its giddy and hypnotic mix of oil painting backgrounds and digital animation in service of a wonderfully inventive story surrounded by kooky, immediately lovable characters, Tito and the Birds is also one of the most original animated works of the year.
    • 66 Metascore
    • 85 Oktay Ege Kozak
    The Kid Who Would Be Kid hits the family classic trifecta: Spectacular fun for kids and adults, full of important themes, and a rebellious attitude in regard to the wide range of things grownups are messing up.
    • 46 Metascore
    • 60 Oktay Ege Kozak
    It’s endearing to see Burger change his typically harsh tone to create a story awash with such positivity. And just like its French original, The Upside is fairly superficial, but warm enough for the studio dumping ground known as January. One could do a lot worse.
    • 24 Metascore
    • 36 Oktay Ege Kozak
    Considering Ferrell and Reilly’s immense talents, Holmes & Watson is an even more unsettlingly unfunny experience.
    • 66 Metascore
    • 80 Oktay Ege Kozak
    It’s hard enough to have a fully CG character as your co-star, and it’s even tougher when an actor is tasked with creating a deep emotional bond with something she can’t even see during production. Steinfeld is up to the challenge, making us believe in Bumblebee’s existence almost as much as the animators who worked on bringing him to life.
    • 49 Metascore
    • 50 Oktay Ege Kozak
    There are some individual moments and elements to like here, but taken as a whole, Bohemian Rhapsody is mostly a flatline with occasional blips of life here and there—and not nearly enough to bring the whole body back from the dead.
    • 81 Metascore
    • 75 Oktay Ege Kozak
    Casting Amandla Stenberg to carry the project was an inspirational choice: She’s luminous and always captivating in the part, delivering a natural performance that allows easy access to Starr’s soul.
    • 69 Metascore
    • 80 Oktay Ege Kozak
    This is the most engaging and emotionally effective Moore doc since Bowling for Columbine.
    • 35 Metascore
    • 65 Oktay Ege Kozak
    It’s occasionally delightful, frequently funny, and good enough to make me look forward to what Greer will do next behind the camera.
    • 67 Metascore
    • 84 Oktay Ege Kozak
    Abrahamson can transition seamlessly between static James Ivory-type long shots of the soothing English countryside, easing the audience into a sense of comfort that comes with the high-class beauty of the period drama, and uncomfortable close-ups of faces, weaning in and out of focus, daring us to confront the neuroses of the characters head on. Underneath the veneer of uber-polite socializing is a vast inner turmoil.
    • 67 Metascore
    • 70 Oktay Ege Kozak
    As messy and predictable as its plot can get, A Simple Favor is an engaging throwback to the aforementioned tongue-in-cheek mysteries, drawing much of its energy from the chemistry between Kendrick and Lively. It need not be any more than that.
    • 67 Metascore
    • 65 Oktay Ege Kozak
    Gus Van Sant’s film certainly captures how Callahan used whimsy as a defense mechanism against seemingly insurmountable real-life conflict, but Don’t Worry, He Won’t Get Far on Foot captures little of how Callahan’s art was such a vital part of that whimsy.
    • 52 Metascore
    • 65 Oktay Ege Kozak
    All of the plot developments, including the third act twist, are predictable for aficionados of the genre, but the many successful standalone comedy and action sequences, as well as the natural chemistry between Kunis and McKinnon, keep us going.
    • 57 Metascore
    • 75 Oktay Ege Kozak
    This is one of those rare occasions in which a movie uses the dusty trope of turning a group of oddball misfits into a “family” and actually pulls it off in an emotionally satisfying way.
    • 56 Metascore
    • 65 Oktay Ege Kozak
    Tag is a bit of a mess, the well-paced runtime not allowing gag-based physical comedy and dramedy to exist equally on the same plain, just barely fun enough to keep an otherwise one-joke premise elevated.
    • 36 Metascore
    • 30 Oktay Ege Kozak
    Such a thin plot from some of the Jackass guys would have been completely forgiven, or even blissfully ignored, if the stunts were on par, or at least close to, what we expect from these guys.
    • 50 Metascore
    • 92 Oktay Ege Kozak
    How to Talk to Girls at Parties is a deliciously bizarre and refreshingly unique experience that not only manages to successfully meld two completely opposite tones—punk and whimsy—but to wrap them up into an exhilarating narrative that infuses a familiar sci-fi/comedy/romance structure with a host of surprises that even the most hardened genre scholar will appreciate.
    • 24 Metascore
    • 40 Oktay Ege Kozak
    Carrey commits one hundred and ten percent, fluctuating accent notwithstanding. It’s only a matter of time before his newfound artistic intensity will be matched to suitable material to create something special.
    • 53 Metascore
    • 70 Oktay Ege Kozak
    The natural chemistry between the four leads is what gives this material the energy it needs. They all bring their A-game here.

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