For 2,019 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 10.5 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 100 Control
Lowest review score: 0 Drop Dead Gorgeous
Score distribution:
2019 movie reviews
    • 58 Metascore
    • 67 Marc Savlov
    Cold Pursuit very nearly brings Neeson full circle, imbued as it is with a lower-rent version of the patented Raimi gallows humor.
    • 91 Metascore
    • 89 Marc Savlov
    The end result goes far beyond the simple colorization of moldering battlefield documentation. It restores the humanity of the combatants, both the British and, surprisingly, the German. Ultimately, it’s a you-are-there time capsule of enormous emotional and historical importance.
    • 42 Metascore
    • 30 Marc Savlov
    Cobbled together on what appears to be a very low budget, Glass shatters under the weight of too many comic book allegories-cum-history lessons, weirdly abrupt plot machinations, epically puny bouts of brawny fisticuffs, and a third-act bit of outright what-the-f**k-ery that gives even the lamest deus ex machinas a bad name.
    • 46 Metascore
    • 20 Marc Savlov
    Granted, it's breezy enough in a retro-chic kind of way, but the meh factor is too high to overcome for all but the hardiest of J-Lo die-hards.
    • 24 Metascore
    • 30 Marc Savlov
    Combined with some awfully lazy riffs on Holmes’s fondness for his seven-per-cent solution, Holmes & Watson is not so much a case of whodunit as it is a question why bother.
    • 66 Metascore
    • 67 Marc Savlov
    Knight, coming from a born animator’s background, retrofits the intergalactic Sturm und Drang for a more humanistic tone that manages to be both more entertaining overall and moderately Spielbergian (he continues to executive produce the franchise) in this tale of a girl and her big, lovable, lemon-colored E.T. It’s a kinder, gentler Transformers movie for the holidays. Go figure.
    • 64 Metascore
    • 67 Marc Savlov
    Viewers unfamiliar with Miyazaki and Studio Ghibli’s extraordinary output over the years may find Never-Ending Man an exercise in tedium – the creation of an animated film, even a short one, is a famously slow and exceedingly precise process – but for those who, like me, adore his life’s work, it’s a precious and fascinating glimpse into the inner life of the world’s greatest living animator.
    • 81 Metascore
    • 89 Marc Savlov
    An anime version of "Mr. Mom" this is not. Director Hosoda’s clear-eyed story allows for comic moments of fatherly ineptitude but focuses just as often on the marital and familial stress this sudden role reversal causes.
    • 32 Metascore
    • 30 Marc Savlov
    Robin Hood isn’t as awful as all that, really. For one thing, it’s too singularly bizarre to be anything less than head scratchingly entertaining, and the action set-pieces are pulled off with much quivery panache.
    • 69 Metascore
    • 78 Marc Savlov
    Yes, Boy Erased is a horror movie, but it bears pointing out that the emotion is by definition intertwined with both empathy and a certain sense of compassion. Terror elicits a shriek. Horror hits you in the heart, and the next thing you know you’re sobbing. Bring some tissues.
    • 57 Metascore
    • 50 Marc Savlov
    Iranian-American director Keshavarz utilizes the always reliable Sarandon to fine effect, but the final takeaway is less than riveting.
    • 75 Metascore
    • 78 Marc Savlov
    So yes, Bodied is a comedy of ill manners, fraught as it is with a veritable encyclopedia of contemporaneous qualms confronted and contested with some seriously dope hustle and flow. Tag this one #badassseriousfun.
    • 39 Metascore
    • 30 Marc Savlov
    The result is a cheerfully unfunny low-brow affair which simply can’t compare with the many genuinely entertaining James Bond spoofs that seem to crop up every decade or so, such as "Austin Powers: International Man of Mystery or the more sublime pleasures of Jean Dujardin in the "French OSS 117: Cairo, Nest of Spies."
    • 58 Metascore
    • 78 Marc Savlov
    For a first-time director like Barinholtz, The Oath is more than impressive. Tonally, it goes all over the place, but that only serves to keep the audience as off-balance as the characters onscreen. No matter what your political affiliation may be, this Orwellian farce is a candidate for President Trump’s least favorite film of the year.
    • 53 Metascore
    • 78 Marc Savlov
    Goosebumps 2: Haunted Halloween knows what its target demographic wants but also resonates with adult audiences, thanks to the zippy plot and across-the-board excellent performances from the totally game cast.
    • 81 Metascore
    • 89 Marc Savlov
    Screenwriter Audrey Wells adapts Thomas’ YA novel with a sure hand and the supporting cast – especially Hornsby’s deeply protective and loving father, and Sabrina Carter as one of Starr’s white besties who just doesn’t get it – are pitch perfect.
    • 43 Metascore
    • 0 Marc Savlov
    Crafted within the broadest, not-quite-funny brushstrokes possible, director Lee’s movie about a class of troublemakers, hustlers, adult J.D.s, and Rob Riggle’s patented goofy man-child schtick struggling to earn their GEDs at the eponymous classroom fails, epically.
    • 21 Metascore
    • 20 Marc Savlov
    It all feels like a poorly constructed and overwrought Lifetime drama from a decade ago, albeit one featuring a shaggy dog dubbed “Fuckface.”
    • 81 Metascore
    • 100 Marc Savlov
    Mandy, though, is flat-out orders of magnitude a more emotionally adept and shockingly powerful film in virtually every department, from the dazzlingly insane cinematography and lysergically–inclined production design to what I can only believe is Nicolas Cage’s single best performance to date.
    • 58 Metascore
    • 40 Marc Savlov
    If you’re looking for "Inglourious Basterds" redux, then this bloodless historical drama isn’t for you. Despite a pair of steely performances from Kingsley (as Eichmann) and Isaac (playing a roguish Shin Bet agent who eventually turns out to be the key to unlocking Eichmann’s stubborn ego), Operation Finale has the too-slow-burn of "Argo"-lite.
    • 71 Metascore
    • 78 Marc Savlov
    Surprisingly effective for what could easily be labeled a “gimmick film,” Chaganty’s debut feature suspenser unfolds entirely onscreen on screens.
    • 72 Metascore
    • 67 Marc Savlov
    Skate Kitchen’s mild melodrama meanders all over the place, not unlike the many skateboarders who shred the skate parks and streets, carving hypnotic, slo-mo figure-eights or outrageous triple ollies on every available surface and obstacle.
    • 46 Metascore
    • 30 Marc Savlov
    The Meg is simply mediocre, PG-13 monster-moviemaking at its mind-numbing kinda/sorta best-ish. Meh.
    • 50 Metascore
    • 50 Marc Savlov
    Amazingly, it all works up to a point, although at approaching two hours in length, it could’ve easily shaved its bifurcated mohawk down by a good 15 minutes.
    • 85 Metascore
    • 100 Marc Savlov
    This knuckle-whitening depiction of a man of God toppling into his own spiritual abyss is one of Schrader’s finest and most excoriating films to date.
    • 58 Metascore
    • 40 Marc Savlov
    It’s so amiably predictable that you end up wanting to throw some Motörhead at it, just to see what happens.
    • 81 Metascore
    • 89 Marc Savlov
    Ferociously subversive and trippily beautiful debut feature from director and screenwriter Coralie Fargeat.
    • 75 Metascore
    • 89 Marc Savlov
    Feels feverishly dreamlike while keeping its subject firmly rooted in the present. If you desire a female empowering musical manifesto with both claws and kisses, here it is.
    • 41 Metascore
    • 30 Marc Savlov
    Super Troopers 2 is a movie out of time and out of sync with comedy in 2018. It might have managed the success of its precursor, if only it had been released in 2002.
    • 80 Metascore
    • 89 Marc Savlov
    Lean on Pete is a methodical and memorable film primarily because director Haight, adapting from Willy Vlautin’s novel, keeps a distance from his characters, never taking the easy route, and never, ever letting the movie enter the killing fields of the corny or cliched.

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